Classical Numismatic Group, LLC - Triton XXVIII – Sessions 1-4 . 1154 Numistats ref: 673643
Sin match
Antiquarian Literature
Categoria
Ten (10) vellum leaves from the St. Albans Abbey Bible. (Paris, circa 1330). (294x199mm) Bound in a custom modern cover of soft yellow with the title “A Fragment of a French Bible MS c. 1300” gilt-stamped on the spine and front cover, and housed in a fitted black cloth slipcase. Each page containing 46 lines of Gothic script in double columns, with rich illuminations in blue, red, and gold leaf. Isaiah 58:8 to Isaiah 61:3. Condition as in photos. The manuscript shows typical age-related undulation in the vellum, but remains well-preserved.. Condition as in photos. Website shipping rates do not apply.
From the Gerald F. Borrmann (Northern California Gentleman) Collection. Ex Mark Lansburgh Collection; Sotheby’s (6 July 1964), lot 239.
This lot presents a striking section of illuminated manuscript leaves from a 14th century Bible commissioned by Richard de Bury, noted author of the Philobiblon, and gifted to St. Albans Abbey by Michael Mentmore, who passed in 1349 due to the Black Death. Originally bound in a 16th-century St. Albans binding, the manuscript included flyleaves specifically related to St. Albans, suggesting a continued reverence and historical connection to the abbey. After being separated, the leaves resurfaced at a Sotheby's auction in 1964, a testament to its enduring significance.
This exquisite work showcases a striking use of blue, pink, and gold borders, each enriched with forked stems that unfurl into intricate leaves in hues of gold, orange, and blue. The two-line initials are rendered in radiant colors against a burnished gold ground, while the headings feature a running line in blue or gold with elegant calligraphic flourishes. Each leaf measures 294 x 199 mm, with 46 lines of Gothic script arranged in double columns.
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Notable features in the illustrations include rich ivy-leaf borders and figures carefully depicted within the initials. The style reflects the "Pucelle" Parisian school of illumination, noted for its delicate ivy-leaf borders, and the vibrant, nuanced palette of red, blue, and gold—a testament to the high quality of medieval Parisian craftsmanship.
One scene within the initial letters portrays a doctor in a blue robe tending to a crowned figure, perhaps symbolizing an important biblical event or a significant patron of the time. In another illustration, two scholars are depicted studying together, reflecting the monastic dedication to learning and preservation of knowledge.
Throughout the manuscript, lively marginalia animate the pages, featuring human figures in various playful or symbolic poses, which may represent social or moral commentary typical of the era. The borders themselves are alive with flourishes and filigree, framing the dense, meticulously scribed text with elegance. Descripción
From the Gerald F. Borrmann (Northern California Gentleman) Collection. Ex Mark Lansburgh Collection; Sotheby’s (6 July 1964), lot 239.
This lot presents a striking section of illuminated manuscript leaves from a 14th century Bible commissioned by Richard de Bury, noted author of the Philobiblon, and gifted to St. Albans Abbey by Michael Mentmore, who passed in 1349 due to the Black Death. Originally bound in a 16th-century St. Albans binding, the manuscript included flyleaves specifically related to St. Albans, suggesting a continued reverence and historical connection to the abbey. After being separated, the leaves resurfaced at a Sotheby's auction in 1964, a testament to its enduring significance.
This exquisite work showcases a striking use of blue, pink, and gold borders, each enriched with forked stems that unfurl into intricate leaves in hues of gold, orange, and blue. The two-line initials are rendered in radiant colors against a burnished gold ground, while the headings feature a running line in blue or gold with elegant calligraphic flourishes. Each leaf measures 294 x 199 mm, with 46 lines of Gothic script arranged in double columns.
,br>
Notable features in the illustrations include rich ivy-leaf borders and figures carefully depicted within the initials. The style reflects the "Pucelle" Parisian school of illumination, noted for its delicate ivy-leaf borders, and the vibrant, nuanced palette of red, blue, and gold—a testament to the high quality of medieval Parisian craftsmanship.
One scene within the initial letters portrays a doctor in a blue robe tending to a crowned figure, perhaps symbolizing an important biblical event or a significant patron of the time. In another illustration, two scholars are depicted studying together, reflecting the monastic dedication to learning and preservation of knowledge.
Throughout the manuscript, lively marginalia animate the pages, featuring human figures in various playful or symbolic poses, which may represent social or moral commentary typical of the era. The borders themselves are alive with flourishes and filigree, framing the dense, meticulously scribed text with elegance. Descripción
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Conservación
5752.5 EUR
Salida
9587.51 EUR
Estimado
EUR
Realizado