Classical Numismatic Group, LLC - Triton XXVIII – Sessions 1-4 . 80 Numistats ref: 672571
Sin match
Greek
Categoria
SICILY, Syracuse. Hieron I. 478-466 BC. AR Tetradrachm (24.5mm, 17.30 g, 4h). ‘Damareteion’ series. Struck circa 470-466 BC. Charioteer, wearing long chiton, holding kentron in right hand, reins in both, driving slow quadriga right; above, Nike, wearing long chiton, flying right, crowning horses with open wreath held in both hands / Head of Arethousa right, wearing pearl tainia, single-pendant earring, and linear necklace; four dolphins and ΣΛ-RΑ-ΚΟΣΙ-ΟΝ around. Boehringer Series XIIe, 387 var. (V–/R275 [unlisted obv. die]); HGC 2, 1308 corr. (Boehringer 387, 388, and 391E of standard style); Du Chastel 64 (same rev. die); Gulbenkian 256 = Jameson 755 (same rev. die); Rizzo pl. XXXV, 9 (same rev. die); Auctiones AG 24, lot 76 (same dies); NAC 126, lot 38 (same rev. die [hammer CHF 85,000]) = Gemini VII, lot 157 (same rev. die [hammer $60,000]). Toned, a few light marks, minor doubling on obverse. VF. An important issue in the evolution of Syracuse tetradrachms. Extremely rare, one of only seven coins known from this reverse die, four of which are in public collections.
From the Jonathan K. Kern Collection, with proceeds being donated to charity.
This fascinating issue represents a landmark in the series of Syracuse tetradrachms. With the advent of the Damaretion coinage, the master engraver introduced a new style that progressed the art of the coins forward, from the static archaized style that had dominated the coinage into a more realistic classical form that was beginning to appear in coinage throughout Sicily and beyond. Although the present issue lacks the salient features of the core Damaretion coinage, the lion in the exergue on the obverse and a laureate head of Arethousa enclosed in a linear circle on the reverse, the die links that Boehringer identified in his corpus clearly links it to the end of the famed series. The obverse and reverse here reflect a return to the standard types that had been used since the early 5th century, but the style is clearly that which had been introduced by the Damaretion master, which is most notable in the presentation of Arethousa. Her static features have been replaced with a serene countenance, with a profile eye prominently displaying her pupil, and her hair flows in a natural, fluid form. This new presentation of Arethousa persisted in the coinage beyond the Damaretion series, and soon other engravers began to experiment with their own interpretations of her form, culminating in the famed period of the "signing artists," whose work exemplified the pinnacle of classical art. In sum, this issue is the first presentation of the standard Syracuse tetradrachm type in classical style. Descripción
From the Jonathan K. Kern Collection, with proceeds being donated to charity.
This fascinating issue represents a landmark in the series of Syracuse tetradrachms. With the advent of the Damaretion coinage, the master engraver introduced a new style that progressed the art of the coins forward, from the static archaized style that had dominated the coinage into a more realistic classical form that was beginning to appear in coinage throughout Sicily and beyond. Although the present issue lacks the salient features of the core Damaretion coinage, the lion in the exergue on the obverse and a laureate head of Arethousa enclosed in a linear circle on the reverse, the die links that Boehringer identified in his corpus clearly links it to the end of the famed series. The obverse and reverse here reflect a return to the standard types that had been used since the early 5th century, but the style is clearly that which had been introduced by the Damaretion master, which is most notable in the presentation of Arethousa. Her static features have been replaced with a serene countenance, with a profile eye prominently displaying her pupil, and her hair flows in a natural, fluid form. This new presentation of Arethousa persisted in the coinage beyond the Damaretion series, and soon other engravers began to experiment with their own interpretations of her form, culminating in the famed period of the "signing artists," whose work exemplified the pinnacle of classical art. In sum, this issue is the first presentation of the standard Syracuse tetradrachm type in classical style. Descripción
VF
Conservación
5752.5 EUR
Salida
9587.51 EUR
Estimado
EUR
Realizado